Global Chart Report
----------------------------------
'Golden' scores
an eighth week
Sunday, September 14, 2025
by Fred Chuchel, Dresden
'Golden' by the
fictional girl group Huntr/x -
leading track from the soundtrack to
the American animated musical
fantasy film 'K-pop Demon Hunters',
released by Netflix - defends the
pole position of the Global Track
Chart for an eighth week with 443,000 points.
That's another 1,5% increase compared
to the previous week.
Broken down by sectors the song gets
369,000 points by streaming (up
0,5%), 41,000
points by sales (down 1%), and 33,000
points by airplay (up 18%). There are another
two tracks from the soundtrack
inside the Top 10: Behind 'Golden'
following 'Soda Pop' and 'Your Idol'
by
Huntr/x' opponent in
the film, the fictional boy group
Saja Boys, at no.3 and at no.7 with
245,000 (up 1%), respectively 175,000
points (down 3%).
Alex Warren's 'Ordinary' holds tight at
the runner-up position - after seven
weeks at no.1 - with 274,000 points
(up 2%
with 152,000 points by streaming,
28,000
points by sales, and 94,000 points
by airplay).
'Ordinary'
tops the (non-published) Global
Airplay Chart for a 14th week in a
row.
The song is also the most successful
realease of the year 2025 so far
with a total of 6,726,000 points. On
the year-to-date list it ranks
currently at no.4, behind three
tracks, which were released in 2024:
'Birds Of A
Feather' by Billie Eilish with
7,764,000 points, 'Apt.' by Rosé &
Bruno Mars with 11,301,000 points,
and 'Die With A Smile' by Lady GaGa
& Bruno Mars with 11,548,000 points.
The latter ranks currently at no.8 on the weekly tally with another
173,000 points (up 3%). And with a total of 19,714,000 points it
places at no.3 on the
ALL TIME CHART.
Perhaps before the end of this year
the song could be the most
successful smash of all time. Since
nearly 28 years holds Elton John's
'Candle In The Wind 1997' the pole
position there with a total of
21,314,000 points. 'Back To Friends'
by 20 year-old American singer /
songwriter Sombr reaches a new peak
on our tally with a jump at no.4 and
196,000 points (up 5,5% with 172,000
points by streaming, 15,000 points
by sales, and 9,000 points by
airplay). Rounds out the top five is
Sabrina Carpenter's 'Manchild',
which remains there, despite a 18%
decline to 188,000 points (110,000
points by streaming, 24,000 points
by sales, and 54,000 points by
airplay). There are still four songs
from her current album inside the
Top 40: Behind 'Manchild' ranks
'Tears' at no.6 with 178,000 points,
'When Did You Get Hot?' at no.24
with 102,000 points, and 'Nobody's
Son' at no.33 with 88,000 points.
According to our chart rules only
the three most successful tracks
from an album can appear with the
full points on the weekly hitlist.
The fourth-placed song receives a
10% deduction, the fifth 20%, etc. Outside our
current Top 40 waiting among other
'Tu Van Sin (Fav)' by Rels B at
no.46, 'Sparks' and 'Yellow' by Coldplay at
no.53, respectively at no.55, and
'Qloo' by Young Cister and Kreamly
at no.59 for their first appearance
on the hitlist. As expected, Sabrina
Carpenter's seventh studio effort
'Man's Best Friend' shoots easily
atop this week's Global Album Chart
with 506,000 equivalent sales
(171,000 points by streaming +
335,000 points by sales). That's a
little bit more as the former set
reached: 'Short n' Sweet' started
with 494,000 consumption units
nearly one year ago in the calendar
week 36 and generated a total of
5,53 million so far. Last week's big
winner, 'Karma' by South Korean boy
group Stray Kids, slides at no.2
with another 435,000 equivalent
sales (22,000 points by streaming +
413,000 points by sales), a total of
1,27 million after two weeks at
retail. Rounds out the top three and
second highest debut of the week is
'Ive Secret', the seventh extended
play by South Korean girl group Ive.
It arrives with 206,000 consumption
units (almost all points coming from
physical sales). And now, as every week,
additional stats from outside the
current Global Album Top 20 in
alphabetic order, the first figure
means last week's sales, the second
figure the total sales: '1989' by
Taylor Swift 17,000 / 16,948,000,
'1989 (Taylor's Version)' by Taylor
Swift 21,000 / 7,091,000, '21' by
Adele 13,000 / 33,994,000, '25' by
Adele 10,000 / 25,814,000, '30' by
Adele 9,000 / 6,971,000, 'After
Hours' by The Weeknd 25,000 /
11,231,000, 'Brat' by Charli XCX 26,000 /
3,919,000, 'Chromakopia' by Tyler,
The Creator 14,000 / 2,313,000, 'Cowboy Carter' by
Beyoncé 13,000 / 2,136,000, 'Divide'
by Ed Sheeran 25,000 / 22,237,000,
'Equals' by Ed Sheeran 8,000 /
6,534,000,
'Evermore' by Taylor Swift 10,000 /
6,807,000, 'Fireworks &
Rollerblades' by Benson Boone 35,000
/ 3,415,000, 'Folklore' by Taylor
Swift 46,000 / 12,241,000, 'From Zero' by Linkin
Park 18,000 / 1,661,000, 'Future
Nostalgia' by Dua Lipa 15,000 /
9,818,000, 'GNX' by Kendrick Lamar
28,000 / 3,509,000, 'Guts' by Olivia
Rodrigo 25,000 / 5,103,000,
'Heroes & Villains' by Metro Boomin
12,000 / 5,019,000, 'Hurry Up
Tomorrow' by The Weeknd 36,000 /
2,072,000, 'I've Tried Everything
But Therapy' by Teddy Swims 38,000 /
3,455,000,
'Incómodo' by Tito Double P 23,000 /
2,418,000,
'Mayhem' by Lady GaGa 41,000 /
1,968,000,
'Mi Vida Mi Muerte' by Neton Vega
35,000 / 1,341,000,
'Midnights' by Taylor Swift 30,000 /
12,828,000, 'Muse' by Jimin 17,000 /
2,334,000, 'One Thing At A Time' by
Morgan Wallen 33,000 / 9,730,000,
'Red (Taylor's Version)' by Taylor
Swift 18,000 / 6,837,000, 'Rosé' by
Rosie 20,000 / 2,047,000, 'Ruby' by
Jennie 29,000 / 1,362,000, 'So Close
To What' by Tate McRae 38,000 /
1,699,000, 'Starboy'
by The Weeknd 32,000 / 9,559,000,
'Stick Season' by Noah Kahan 29,000
/ 5,304,000, 'The Highlights' by The
Weeknd 24,000 / 10,215,000, 'The Rise
And Fall Of A Midwest Princess' by
Chappell Roan 41,000 / 4,125,000, 'The
Secret Of Us' by Gracie Abrams
40,000 / 3,284,000, 'The Tortured
Poets Department' by Taylor Swift
59,000 / 10,876,000, 'Utopia' by
Travis Scott 13,000 / 5,628,000, and
'When We All Fall Asleep, Where Do
We Go?' by Billie Eilish 17,000 /
12,975,000.
GLOBAL NO.1 - 20
YEARS AGO
... "We Belong Together", released on March 29, 2005, was
the second single from Mariah's tenth studio album The Emancipation of
Mimi (2005). Following her decline in popularity between 2001 and 2005,
critics dubbed the song her musical comeback, as many had considered her
career over. "We Belong Together" is built on a piano arrangement
with an understated backbeat. The lyrics chronicle a woman's desperation
for her former lover to return. It interpolates lyrics from Bobby
Womack's "If You Think You're Lonely Now" (1981) and the Deele's "Two
Occasions" (1987). The song was a no.1 smash in the United States and
Australia, and went to the runner-up slot in United Kingdon, Canada, the
Netherlands, and New Zealand.
USA
Billboard Report
(excerpt)
'Man's Best Friend' at No.1
on Billboard Top 200
Tuesday, September 9, 2025
by Keith Caulfield & Gary
Trust, Los Angeles
Sabrina Carpenter scores
her second No. 1 on the Billboard 200 albums
chart as Man’s
Best Friend debuts
atop the list dated Sept.
13. It launches with 366,000
equivalent album units
earned in the United States in the week ending Sept. 4, according to Luminate.
Of that sum, traditional album sales comprise 224,000. Both figures mark
career-high weeks for the singer-songwriter.
Man’s Best Friend also
collects 2025’s biggest week, by units and by album sales, for an album by a
woman. It logs the third-biggest week of the year among all albums, by units and
by album sales.
Of Man’s
Best Friend’s
366,000 first-week equivalent album units, album sales comprise 224,000 (it
debuts at No. 1 on the Top Album Sales chart), SEA units comprise 141,000
(equaling 184.11 million on-demand official streams of the set’s 12 songs; it
also debuts at No. 1 on Top Streaming Albums) and TEA units comprise 1,000.
In 2025, the three largest weeks for albums, by units, are the opening frames of
Morgan Wallen’s I’m
the Problem (493,000),
The Weeknd’s Hurry
Up Tomorrow (490,000) and Man’s
Best Friend (366,000).
In traditional album
sales, the three biggest weeks of 2025 belong to the bows
of Hurry
Up Tomorrow (359,000),
Stray Kids’ Karma (296,000)
and Man’s
Best Friend (224,000).
As Man’s
Best Friend’s first-week
SEA units total 141,000, that equates to 184.11 million on-demand official
streams of the set’s 12 songs in its first week. That’s the largest streaming
debut for an album by a woman in 2025, as well as Carpenter’s best streaming
week yet.
Man’s Best Friend is
the lone debut in the top 10 on the latest Billboard 200. Holding at No. 2 is
the KPop
Demon Hunters soundtrack,
which logs its seventh nonconsecutive week in the runner-up slot (its peak),
with 120,000 equivalent album units earned (down 5%). Morgan Wallen’s
chart-topping I’m
the Problem is
a non-mover at No. 3 (105,000, down 10%), Stray Kids’ Karma falls
1-4 in its second week (61,000, down 80%) and Alex Warren’s You’ll
Be Alright, Kid climbs
8-5 (38,000, down 1%).
Wallen’s former leader One
Thing at a Time jumps
10-6 with 35,000 equivalent album units earned (down 6%), Carpenter’s Short
n’ Sweet skips
15-7 (34,000, up 17%), Gunna’s The
Last Wun rises
9-8 (34,000, down 11%) and SZA’s chart-topping SOS ascends
12-9 (34,000, down 1%). BigXthaPlug’s I
Hope You’re Happy falls
7-10 in its second week to close out the top 10 (30,000, down 37%). Couch,
couch, couch will
have to wait, as Huntr/x works
its way to a fourth week at No. 1 on the Billboard Hot 100 with
“Golden,” from the soundtrack to the smash animated
Netflix film KPop
Demon Hunters.
Upon the original ascent
to No. 1 for “Golden,” Huntr/x — the singing trio of Ejae, Audrey Nuna and Rei
Ami (in the roles of the film’s characters Rumi, Mira and Zoey) — became the
first female group associated with Korean pop to crown the Hot 100.
“Golden,” on Visva/Republic Records, tallied 34.5 million official streams (down
2% week-over-week), 22.1 million radio airplay audience impressions (up 13%) and
9,000 sold (up 4%) in the United States Aug. 29-Sept. 4.
The track secures a seventh week at No. 1 on the Streaming Songs chart;
rises 29-24 on Radio Songs —
as it hits the top 10, lifting two spots to No. 10, on the Pop Airplay chart;
and adds a second week at No. 1 on Digital Song Sales.
Sabrina Carpenter scores two songs in the Hot 100’s top five: “Tears” debuts
at No. 3 and former chart-topper “Manchild,” which led in its debut week in
June, surges 7-4. Both cuts are from her new album, Man’s
Best Friend,
which arrives atop the Billboard 200.
“Tears” starts with 26.3 million streams (good for a No. 2 premiere on
Streaming Songs), 11.9 million in airplay audience and 2,000 sold. Carpenter
collects her fifth Hot 100 top 10, all since April of last year.
“Manchild” drew 19.5 million streams (up 86%) and 49.3 million in radio
reach (up 2%) and sold 2,000 (up 129%). It charges 25-5 on Streaming Songs,
which it led for one week, and climbs 5-3 for a new high on Radio Songs.
Elsewhere in the Hot 100’s top 10, Alex Warren’s “Ordinary” holds at No. 2,
after 10 nonconsecutive weeks at No. 1 beginning in June. It tallies a 12th
week at No. 1 on Radio Songs (73 million, down 1%).
Below Carpenter and Saja Boys’ two Hot 100 top 10s apiece, Morgan Wallen’s
“What I Want,” featuring Tate McRae, slides 3-7, after it debuted in May as
Wallen’s fourth No. 1 and McRae’s first.
Ravyn Lenae’s “Love Me Not” falls 6-8 on the Hot 100, after reaching No. 5.
Below Huntr/x’s “How It’s Done,” which remains at No. 9,
Teddy Swims’ “Lose Control,” which led the Hot 100 for a week in March 2024,
and went on to become the year’s No. 1 song,
drops 8-10. It logs a record-extending 107th
week on the chart overall and a record-furthering 77th week in the top 10.
Record Of The Month
'Back To Friends' became the
breakout hit of the
20-year-old American singer
/ songwriter
Shane Michael Boose, known
professionally as Sombr. The
song entered many charts
around the world after going
viral on the video-sharing
app Tik Tok.
United Kingdom
Music Week Report
(excerpt)
Olivia Dean holds still
the runner-up slot
Monday, September 15, 2025
by Alan Jones, London
Its consumption is down
week-on-week for the first
time, but Golden is No.1 for
the fifth week in a row and
sixth time in all for
Huntr/X, Ejae, Audrey Nuna,
Rei Ami & KPop Demon Hunters
Cast. Achieving consumption
of 68,222 units (2,207
digital downloads, 66,015
sales-equivalent streams),
it weakens 1.59%. Its 17.20% lead over
nearest challenger Man I Need by Olivia Dean, shrinks to 10.41% as the
latter track continues to strengthen, improving 4.46% to 61,789 units –
the highest for a No.2 so far this year, as it secures its third
straight week as runner-up. The last No.2 to have higher consumption was
Mariah Carey’s All I Want For Christmas Is You, which racked up 94,170
units (187,566 without ACR) in the last week of 2024.
The two other songs from the Netflix movie soundtrack in the Top 10 –
credited to Saja Boys, Andrew Choi, Neckwav, Danny Chung, Kevin Woo,
samUIL Lee & KPop Demon Hunters Cast – both climb a place but remain
below earlier peaks with Soda Pop recovering 5-4 (38,247 sales) and Your
Idol rallying 8-7 (31,812 sales). Like Golden, Your Idol suffers its
first dip in consumption but Soda Pop grows for the 11th week in a row,
albeit by a minuscule 0.62%.
Three songs from Sabrina Carpenter’s new album, Man’s Best
Friend, are
in the Top 10 again this week, with Tears (3-3, 40,638 sales) and
Manchild (4-6, 32,328 sales) both present and correct but My Man On
Willpower, which debuted at No.7 last week is now ‘starred-out’ (23,668
sales), losing out to When Did You Get Hot?, which completes Carpenter’s
trio under primary artist rules, debuting at No.9 (28,520 sales) to
become her 22nd hit in all, and 11th Top 10 entry.
Sombr scores his third Top 10 hit, as 12 To 12 climbs 12-10 (26,756
sales).
No Broke Boys (6-5, 35,306 sales) by Disco Lines & Tinashe and Nice To
Each Other (9-8, 29,791 sales) by Olivia Dean both climb but are below
their peak positions, and have declining consumption.
Overall singles consumption is up 0.60% week-on-week to 29,861,948
units, 2.80% above same week 2024 consumption of 29,048,172 units.
Paid-for sales are down 5.47% week-on-week at 268,097, 13.11% below same
week 2024 sales of 308,549.
Man’s Best Friend’s dogged resistance earns Sabrina Carpenter
the accolade of consecutive weeks at No.1 for the first time in
her career.
Despite its consumption falling 61.79% week-on-week to 32,591
units (3,156 CDs, 2,197 vinyl albums, 421 cassettes, 178 digital
downloads and 26,639 sales-equivalent streams), the album
mounted a steadfast defence of pole position, leaving previous
chart-toppers Suede, Tom Odell and Faithless’ new albums
trailing in its wake.
Its repeat performance ends a run of 38 consecutive weeks in
which leadership of the chart has changed – the second longest
run in chart history, behind the 41-week run assembled in
2020/2021. Although Carpenter’s 2024 blockbuster Short N’ Sweet
has accumulated five weeks at No.1, it has done so only one week
at a time. Carpenter’s overall tally of seven weeks at the
summit puts her equal with Lewis Capaldi and behind only Taylor
Swift (28 weeks) and Ed Sheeran (nine weeks) for most time spent
at No.1 in the 2020s.
Partly because Spotify data was unavailable for the first four
of the week’s sales flashes, Suede – whose sales are largely
physical – held a handsome lead in early snapshots, and might
have fancied their chances of achieving their fourth No.1 album
in all and their first since 1999 with their 10th studio album,
Antidepressants.
In the final rankings, it ends up well beaten – but its No.2
debut on consumption of 16,091 units is 14.62% greater than the
opening frame of 14,038 that earned their last album,
Autofiction, the same position in 2022, and secures the 10th Top
10 and 14th Top 75 entry for the veteran alt-rock quintet
fronted, as always, by Brett Anderson.
Antidepressants is, however, by far the biggest album physically
this week, with 7,978 CD, 5,965 vinyl album and 265 cassette
sales together contributing 88.29% of its tally. It is also the
biggest seller digitally (1,113 sales), with only streaming (770
units) letting it down. It provides Suede’s best tally since
1999, when their fourth album, Head Music, debuted at No.1 on
sales of 32,884.
Eclectic indie sextet Red Rum Club have had a busy few months,
headlining at Aintree Racecourse, touring as support for fellow
scousers The Wombats, and gigging at multiple festivals,
including Glastonbury, Reading and Leeds. It seems to have paid
off as they maintain their record of charting higher with each
successive release.
Introductory album Matador reached No.158 in 2019, with
follow-up The Hollow Of Humdrum peaking exactly 100 places
higher the following year, while How To Steal The World reached
No.34 in 2021 and Western Approaches reaching No.8 last year.
The fifth album and second Top 10 entry for the Liverpool lads –
vocalist Fran Doran (32), guitarists Tom Williams (30) and
Michael McDermott (32), bassist Simon Hepworth (32), trumpeter
Joe Corby (33) and drummer Neil Lawson (33) – Buck gallops to a
No.7 debut (7,229 sales).
Thirty-four years to the week since they released first album
Foxbase Alpha, veteran chart campaigners Saint Etienne’s 12th
and final studio album, International, debuts at No.8 (7,100
sales). Far surpassing their 11th studio set, The Night, which
peaked at a lowly No.191 last December, International is an
excellent swansong from the trio – Sarah Cracknell, Bob Stanley
& Pete Wiggs – with guest vocalists and guest co-writers making
it a perfect pop celebration, which duly earns them their 14th
Top 75 entry, their third Top 10 album and their highest chart
placing since 1994.
No.4 on debut eight weeks ago, Justin Bieber’s latest studio
album, Swag, rockets 87-10 (6,781 sales), after the original 21
track-set was expanded to 44 tracks as Swag II, which is
subsumed into the original for chart purposes, hence its
revival.
The rest of the Top 10: Time Flies 1994-2009 (4-3, 8,315 sales)
by Oasis, +-=÷× Tour Collection (9-4, 7,613 sales) by Ed
Sheeran, 50 Years: Don’t Stop (7-5, 7,574 sales) by Fleetwood
Mac, The Highlights (12-6, 7,308 sales) by The Weeknd and You’ll
Be Alright, Kid (6-9, 7,052 sales) by Alex Warren. The Weeknd’s
best chart placing for 14 weeks and The Highlights’ highest
consumption for 30 weeks follow the announcement of his 2026 UK
tour.
Overall album sales are down 1.79% week-on-week to 2,432,779
units, 1.34% above same week 2024 sales of 2,400,521. Physical
product accounts for 265,194 sales, 10.90% of the total.